Auschlander's office pondering the recent death from stroke of his colleague and mentor. In the last episode's final two scenes, Donald Westphall – having just returned to St. Elsewhere have appeared on other television shows and those shows' characters appeared on more shows, and so on, a "Tommy Westphall Universe" hypothesis (postulated by Dwayne McDuffie) argues that a significant amount of fictional episodic television exists within a fictional universe imagined by Tommy Westphall. Elsewhere storyline exists only within Westphall's imagination. Elsewhere 's final episode, " The Last One", one interpretation of which is that the entire St. Westphall, who is autistic, played an increased role in St. Elsewhere, which ran on NBC from 1982 to 1988.
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Tommy Westphall, portrayed by Chad Allen, is a minor character from the drama television series St. Elsewhere merchandise Watch Episodes Online Amazon.Chad Allen as Tommy in " The Last One" (1988) Jaqueline Wade (1983-1988)īroadcast History First Telecast: October 26, 1982
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The cast, in fact, may be the most impressive ever assembled for a TV program: in the first season alone, the list of actors with regular, recurring, and one-shot appearances includes future movie stars Denzel Washington (a regular, but his role is minor), Tim Robbins, Ally Sheedy, Christopher Guest, Laraine Newman, Ray Liotta, Tom Hulce, Michael Madsen, and Rae Dawn Chong. Morrison, William Daniels' egotistical, pompous Dr. Fiscus, David Morse's driven, committed Dr.
But it hits its stride almost immediately thereafter, as the characters (including Howie Mandel's wisecracking Dr. While we can see right away that the show sports a lighter, more humorous tone than others of its genre, the direction is static, the acting and dialogue are often stiff, and what passes for "chaos" is pretty tame. Elsewhere" due to its rundown facilities and reputation as a "dumping ground" for the poor and disenfranchised), isn't especially promising.
That's because it does it the old-fashioned way: by relying on good writing, vividly-drawn, identifiable characters, and excellent performances by an eye-opening group of actors.Ĭo-creators Joshua Brand and John Falsey's pilot episode, which establishes the scene at Boston's St. Elsewhere in the sizzle department-the production values are much flashier, the content sexier, more graphic, and faster-moving, the technology both in front of and behind the camera light years more sophisticated-the older show, despite its somewhat cheesy '70s vibe, is the hands-down winner when it comes to the actual steak. Even now, when "reality" programming blights the landscape like some biblical plague, doc, cop, and lawyer shows remain staples of the medium, and while the likes of C.S.I., E.R., and Grey's Anatomy have it all over St. Elsewhere was neither television's first ensemble medical drama nor, heaven knows, its last.
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